duchting hajo cezanne
Duchting Hajo Cezanne
Perhaps best known for his exceptional apples and pears, Paul Cezanne (1839-1906) was one of the founding fathers of modern art. Though he was underappreciated and highly criticized during his life, as time passed Cezanne's work came to be considered of inestimable importance. His method of experimentation with abstraction and perspective was an important precursor to modern painting, particularly cubism. About the author: Hajo Duchting (b. 1949 in Dusseldorf) studied art history, philosophy and archaeology in Munich, where he gained his doctorate in 1981 with a thesis on Robert Delaunay's Windows series. After working in museum and adult education, he moved on to teaching posts and guest professorships at the universities of Munich, Kassel, Leipzig, Saarbrucken and Mainz. Since 2004 he has taught painting and colour theory at the Mediadesign Akademie in Munich. Duchting has published numerous articles on the art of the modern era, colour theory and the teaching of art and has authored a number of TASCHEN titles, including Paul Cezanne (1988), Wassily Kandinsky (1990); Robert and Sonia Delaunay (1993) and Georges Seurat (1999). Издание на английском языке.
1012 Р.
Duchting Hajo Cezanne
Souvent associe au mouvement impressionniste, Paul Cezanne (1839-1906) s'en detache pourtant rapidement. Ses recherches esthetiques sur les volumes, la perspective, les formes et les couleurs, a travers de nombreuses natures mortes, mais aussi les paysages de sa Provence natale, l'amenent progressivement vers l'abstraction et font de lui un precurseur de l'art moderne. Decouvrez l'evolution d'un peintre qui a su transposer en peinture sa vision unique du monde.
2352 Р.
Hajo Duchting. Kandinsky
На протяжении своей художественной карьеры Василий Кандинский (1866–1944) трансформировал не только собственный стиль, но и ход истории искусства. От ранней фигуративной и пейзажной живописи он стал пионером духовного, эмоционального, ритмичного использования цвета и линии, и сегодня ему приписывают создание первой чисто абстрактной работы. Кандинский был настолько учителем и теоретиком, насколько он был практикующим художником в музыке, театре, поэзии, философии, этнологии, мифах и оккультизме - все это было важными компонентами его живописи и гравюры. Он был связан как с влиятельными группами Blaue Reiter, так и с Bauhaus и оставил в наследство не только великолепные визуальные работы, но и очень влиятельные трактаты, такие как «О духовном в искусстве». Ключевые принципы включали связь между живописью, музыкой и мистическим опытом, а также очищение искусства от материального реализма к эмоциональному выражению, сгущенному, в частности, цветом. В этой книге представлены ключевые работы Кандинского, чтобы представить его репертуар ярких цветов, форм, и чувства. Прослеживая радикальное стилистическое развитие художника, он показывает, как развитие одного художника проложило путь грядущим поколениям абстрактного выражения.Over the course of his artistic career, Wassily Kandinsky (1866–1944) transformed not only his own style, but the course of art history. From early figurative and landscape painting, he went on to pioneer a spiritual, emotive, rhythmic use of color and line and is today credited with creating the first purely abstract work.As much a teacher and theorist as he was a practicing artist, Kandinsky's interests in music, theater, poetry, philosophy, ethnology, myth, and the occult, were all essential components to his painting and engraving. He was involved with both the influential Blaue Reiter and Bauhaus groups and left a legacy not only of dazzling visual work, but also of highly influential treatises such as Concerning the Spiritual In Art. Key tenets included the connections between painting, music and mystical experience, and the purification of art away from material realism and towards an emotional expression, condensed in particular by color.This book presents key Kandinsky works to introduce his repertoire of vivid colors, forms, and feelings. Tracing the artist's radical stylistic development, it shows how one painter's progression paved the way for generations of abstract expression to come.
2590 Р.
Duchting Hajo Kandinsky
Auf der Suche nach Reinheit Im Laufe seiner Karriere veranderte Wassily Kandinsky (1866-1944) seinen Stil – und damit den gesamten Verlauf der Kunstgeschichte. Von figurlicher und Landschaftsmalerei ausgehend, setzte er Farben und Formen zunehmend spirituell, emotional und rhythmisch ein und gilt heute als Maler des ersten rein abstrakten Kunstwerks. Kandinsky war nicht nur praktizierender Kunstler, sondern auch Lehrer und Theoretiker, der sein Interesse an Musik, Theater, Lyrik, Philosophie, Ethnologie, Mythologie und Okkultem in seine Bilder einflie?en lie?. Er grundete zusammen mit Franz Marc die einflussreiche Gruppe „Der Blaue Reiter“, unterrichtete am Bauhaus und produzierte neben seinem schillernden visuellen Werk auch ma?gebliche theoretische Abhandlungen wie Uber das Geistige in der Kunst. Darin propagierte er u.a. die Verbindung zwischen Malerei, Musik und mystischen Erfahrungen und die Reinheit der Kunst, die sich vom materiellen Realismus weg hin zu einer vor allem durch Farbe kondensierten emotionalen Ausdrucksform bewegen sollte. Dieser Band prasentiert Kandinskys wichtigste Werke und stellt sein Repertoire an Farben, Formen und Gefuhlen vor. Der Verfasser zeichnet die radikale Entwicklung des Kunstlers nach und zeigt, wie diese dem Abstrakten Expressionismus den Weg bereitete.
3078 Р.
Duchting Hajo Impressionnisme
Au debut des annees 1860, des jeunes peintres se reunissent afin de creer un nouveau type de peinture. Ils souhaitent representer des scenes de la vie quotidienne ainsi que des paysages et refuse toutes institutions, souhaitant se detacher des regles erigees par l'Academie. Ils frequentent des atelier prives car on y peint avec liberte, contrairement a l' Ecole des beaux-arts. Le terme d’« impressionnisme » vient d’un article du critique d’art Louis Leroy, paru dans le journal quotidien Le Charivari du 25 avril 1874, et intitule : « L’exposition des impressionnistes ». Lors de sa visite de l'atelier dans l'atelier du photographe Nadar, il se moque d'un tableau de Claude Monet nomme Impression, Soleil Levant. Ce surnom encombrant d’« impressionnistes », Monet et ses amis vont non seulement l’accepter, mais le reprendre, des 1877, a l’occasion de nouvelles manifestations qu’ils organisent. Les peintres les plus celebres de ce mouvement sont Manet, Pissarro, Degas, Monet, Renoir, Bazille, Sisley, Caillebotte, Cezanne... Dans cet ouvrage, vous decouvrirez la nouvelle peinture impressionniste ainsi que ses plus celebres peintres. Ce livre traite egalement de la posterite du mouvement impressionniste chez les artistes tels que Paul Cezanne, Paul Gauguin, Henri de Toulouse-Lautrec, Vincent Van Gogh mais aussi de son exportation internationale.
1643 Р.
Duchting Hajo Wassily Kandinsky
Over the course of his artistic career, Wassily Kandinsky (1866-1944) transformed not only his own style, but the course of art history. From early figurative and landscape painting, he went on to pioneer a spiritual, emotive, rhythmic use of color and line and is today credited with creating the first purely abstract work. As much a teacher and theorist as he was a practicing artist, Kandinsky's interests in music, theater, poetry, philosophy, ethnology, myth, and the occult, were all essential components to his painting and engraving. He was involved with both the influential Blaue Reiter and Bauhaus groups and left a legacy not only of dazzling visual work, but also of highly influential treatises such as Concerning the Spiritual in Art. Key tenets included the connections between painting, music and mystical experience, and the purification of art away from material realism and towards an emotional expression, condensed in particular by color. This book presents key Kandinsky works to introduce his repertoire of vivid colors, forms, and feelings. Tracing the artist's radical stylistic development, it shows how one painter's progression paved the way for generations of abstract expression to come.
2462 Р.
Duchting Hajo Pablo Picasso
What did Spain look like when Picasso was born? What kind of community did he grow up in? What was his studio like? Who were the people who had the most influence on his art? The answers to these and other questions help bring into focus the Spanish artist's brilliant career and his influence on twentieth-century art. Color reproductions of his masterpieces are interspersed with photographs of Picasso's personal life, and are presented in a dynamic layout that reflects the artist's creative vision and boundless energy. Picasso's anti-war stance, his tumultuous love affairs, and his outspokenness are all examined with journalistic verve. This book not only provides a solid background on Picasso's monumental body of work, but also offers anecdotes, historical context, and a fresh perspective on an enigmatic and endlessly compelling figure.
3030 Р.
Duchting Hajo Hermitage Museum
The precious collection of paintings has established the Hermitage's reputation as one of the most important museums in the world, but the architectural ensemble on the banks of the Neva is also a masterpiece of world architecture. This magical triad of important paintings, treasures from around the world, and architecture attracts an ever-growing stream of visitors each year to St. Petersburg, a city full of wonders shaped by its rich history.
1642 Р.
Hajo Duchting. Hermitage Museum
The precious collection of paintings has established the Hermitage's reputation as one of the most important museums in the world, but the architectural ensemble on the banks of the Neva is also a masterpiece of world architecture. This magical triad of important paintings, treasures from around the world, and architecture attracts an ever-growing stream of visitors each year to St. Petersburg, a city full of wonders shaped by its rich history.
1360 Р.
Duchting Hajo Toulouse-Lautrec
Henri de Toulouse-Lautrec (1864-1901), au style inclassable, est le peintre de la boheme parisienne de la fin du XIXe siecle. Operas, cafes-concerts, maisons closes, il saisit d’un style vif et expressif une vie nocturne auquel il participe allegrement. S’il a produit de nombreuses lithographies, Toulouse-Lautrec se distingue notamment par des affiches dont la simplification audacieuse va marquer durablement les arts appliques. Ce grand artiste nous a laisse une ?uvre importante qui annonce a bien des egards le XXe siecle et l’avenement de l’art nouveau.
3619 Р.
Duchting Hajo The Blaue Reiter
The charge of 20th-century expressionism Although it only lasted three turbulent years, the afterburn of the Blaue Reiter (1911-1914) movement exerted a tremendous influence on the development of modern European art. Named after a Kandinsky painting, The Blue Rider, this loose band of artists, grouped around Russian emigre Wassily Kandinsky and German painter Franz Marc, sought to reject establishment standards and charge into a new artistic unknown. Articulating spiritual values and concerns in an era of rapid industrialization, the artists of the Blaue Reiter were connected by a shared interest in painting, woodcuts, and prints, as well as the symbolic values of color and spontaneous approaches to artwork. Key pieces such as Franz Marc's Blue Horse I (1911), Kandinsky's Picture with a Black Arch (1912), and August Macke's Woman in a Green Jacket (1913) reveal varying subjects, but all channel distorted perspectives, crude lines, and an emphatic, expressionist use of color. The Blaue Reiter was abruptly truncated by the onset of the First World War, which killed two of its leading artists, along with growing dissent between the group's protagonists. This book reveals the movement's remarkable influence despite its brevity, presenting key works, artists, and their reverberating effects.
2298 Р.
Duchting Hajo Der Blaue Reiter
„Der Blaue Reiter“ – kurzer Ausritt mit weitreichenden Folgen Das 1912 erschienene illustrierte Jahrbuch „Der Blaue Reiter“ gilt als eines der wichtigsten Manifeste der modernen Kunst in Europa. In ihm formulierten der russische Emigrant Wassily Kandinsky, sein Freund Franz Marc und andere assoziierte Kunstler ihre Vorstellungen von einer neuen Kunst, die das traditionelle Formenrepertoire sprengen und den Blick von der au?eren Realitat auf die innere richten sollte. Auch wenn sie sich dabei auf ahnliche Vorbilder wie die Maler der Kunstlergruppe Die Brucke beriefen, auf die Fauvisten etwa und die sogenannte primitive Kunst, strebten sie anders als diese nicht einen einheitlichen neuen Stil an. Der Blaue Reiter fungierte als loser Verbund, in dem eine Vielzahl ganzlich eigenstandiger Entwicklungen moglich war. Der Blaue Reiter wurde durch den Ausbruch des Ersten Weltkriegs, in dem zwei seiner fuhrenden Kunstler fielen, aber auch durch wachsende Unstimmigkeiten zwischen den Protagonisten der Gruppe unvermittelt zu Grabe getragen. Diese Einfuhrung zeichnet anhand zentraler Werke wie Franz Marcs Blauem Pferd I (1911), Kandinskys Bild mit schwarzem Bogen (1912) und August Mackes Dame in gruner Jacke (1913) die kurze, aber fur die moderne Kunst folgenreiche Geschichte dieser Gruppierung nach.
3315 Р.
Erben Walter Miro
Fellow painter Walter Erben spent countless hours conversing with his colleague Joan Miro (1893-1983) at his house in Mallorca in preparation for this book. Over the course of these talks, Miro gave Erben many interesting and invaluable insights into his art, as well as his own interpretations of his most significant works. Thus was born this Miro retrospective which explores, through texts and images, the life`s work of one of the 20th century's most influential painters. About the editor: Hajo Duchting (b. 1949 in Dusseldorf) studied art history, philosophy and archaeology in Munich, where he gained his doctorate in 1981 with a thesis on Robert Delaunay's Windows series. After working in museum and adult education, he moved on to teaching posts and guest professorships at the universities of Munich, Kassel, Leipzig, Saarbrucken and Mainz. Since 2004 he has taught painting and colour theory at the Mediadesign Akademie in Munich. Duchting has published numerous articles on the art of the modern era, colour theory and the teaching of art and has authored a number of TASCHEN titles, including Paul Cezanne (1988), Wassily Kandinsky (1990); Robert and Sonia Delaunay (1993) and Georges Seurat (1999). About the author: Walter Erben (1908-1981) studied German at Berlin University as well as painting at the Academy of Art in Dusseldorf, where he studied under Oskar Moll and Paul Klee. Erben taught fine art in Rome and Hagen, authored many successful books on the subject, and lectured extensively during his lifetime. Издание на английском языке.
1012 Р.
Verdi Richard Cezanne
An updated edition of this classic survey illustrated in color throughout, this book is the definitive overview of Paul Cezanne's life and work. For Picasso he was "like our father"; for Matisse, "a god of painting." Paul Cezanne (1839-1906) is widely regarded as the father of modern art. In this authoritative and accessible study, Richard Verdi traces the evolution of Cezanne's landscape, still-life, and figure compositions from the turbulently romantic creations of his youth to the visionary masterpieces of his final years. The painter's biography-his fluctuating reputation and strained relations with his parents, wife, and close friend Emile Zola-is vividly evoked using excerpts from his own letters and from contemporary accounts of the artist. Cezanne was torn between the desires to both make and find art-to master the themes of the past, through his copying sessions in the Louvre, and to explore the eternal qualities of nature in the countryside of his native Provence. In this way, the artist sought "to make of Impressionism something solid and durable, like the art of the museums." In this richly illustrated overview, now updated throughout and with a new preface, Verdi explores the strength, vitality, and magnitude of Cezanne's achievement. 182 color illustrations
4437 Р.
Sagner-Duchting Karin Monet
Claude Monet (1840-1926) was both the most typical and the most individual painter associated with the Impressionist movement. His long life and extraordinary work were dedicated to a pictorial exploration of the sensations which reality, and in particular landscape, offer the human eye. Monet`s poplars, grain stacks, Rouen Cathedral, and waterlily paintings - among the most beloved works of the Impressionist period - were created long before the currents of the contemporary avant-garde and had an inestimable influence on the development of modern art. This book traces the life`s work of one of art history`s most beloved painters. About the author: Karin Sagner-Duchting studied art history, modern German literature, and classical archaeology at Munich University. She received her doctorate in 1983 with a thesis on Claude Monet's water lily paintings and was academic assistant at the Bayerische Staatsgemaldesammlungen until 1988. Based in Munich, she researches and publishes in the field of 19th-century art. Издание на английском языке.
1012 Р.
Duchting H. Wassily Kandinsky
Over the course of his artistic career, Wassily Kandinsky (1866-1944) transformed not only his own style, but the course of art history. From early figurative and landscape painting, he went on to pioneer a spiritual, emotive, rhythmic use of color and line and is today credited with creating the first purely abstract work.As much a teacher and theorist as he was a practicing artist, Kandinsky's interests in music, theater, poetry, philosophy, ethnology, myth, and the occult, were all essential components to his painting and engraving. He was involved with both the influential Blaue Reiter and Bauhaus groups and left a legacy not only of dazzling visual work, but also of highly influential treatises such as Concerning the Spiritual in Art. Key tenets included the connections between painting, music and mystical experience, and the purification of art away from material realism and towards an emotional expression, condensed in particular by color.This book presents key Kandinsky works to introduce his repertoire of vivid colors, forms, and feelings. Tracing the artist's radical stylistic development, it shows how one painter's progression paved the way for generations of abstract expression to come.
1854 Р.